Conservatives often complain that Hollywood makes no Conservative films, and when they do, we either don’t notice, or we let them bomb. The first Atlas Shrugged was good. It bombed. The two sequels lacked the budget to be good as a result. In Kubo and the Two Strings, we have an even bigger cinematic tragedy, because here is a great movie, one that is surprisingly Conservative and without beating you over the head with it, and it tanked, badly.
